title RM Literature 21-50

21 A320080169 MORAL ANXIETY IN 2012 MOVIE BY ROLAND EMMERICH (2009): A PSYCHOANALYTIC APPROACH

22 A320080184 OVERCOMING SPEECH DISABILITY IN THE KING’S SPEECH MOVIE (2010): AN INDIVIDUAL PSYCHOLOGICAL APPROACH

23 A320080112 VALIANT PRINCIPLE OF LIVE IN OLIVER MEGATON’S TRANSPORTER 3 MOVIE (2009): AN INDIVIDUAL APPROACH

24 A320080327 ROMANCE BETWEEN JULIAN AND NATALIE IN STEP UP 3D BY EMILY MEYER (2010): A PSYCHOANALYTIC APPROACH

25 A320080332 INTIMATE RELATIONSHIP BETWEEN LUKE KUTCHER AND PIRATES DANCER’S IN STEP UP 3D MOVIE BY EMILY MEYER (2010): AN INDIVIDUAL PSYCHOLOGICAL APPROACH

26 A320080328 DISCOVERING THE SELF OF ELIZABETH GILBERT IN “ EAT PRAY LOVE” BY RYAN MURPHY (2010): A PSYCHOANALYTIC APPROACH

27 A320080355 SPLIT PERSONALITY OF JULIAN IN STEP UP 3D MOVIE DIRECTED BY EMILY MEYER (2010): A PSYCHOANALYTIC APPROACH

28 A320080144 FEAR AND HESITANCE IN ECLIPSE MOVIE DIRECTED BY DAVID SLADE (2010): AN INDIVIDUAL PSYCHOLOGICAL APPROACH

29 A320080291 ANNA FITSGERALD’S CONTRADICTORY FEELING IN JODY PICOULT’S MY SISTER KEEPER (2004): AN INDIVIDUAL APPROACH

30 A320080292 GREONUILLE’S DEPRESSION AND DESPAIR IN TOM TYKWER’S PERFUME MOVIE (2006): AN INDIVIDUAL PSYCHOLOGICAL APPROACH

31 A320080289 LIBERATING THE NOTION FROM OPRESSION IN TEKKEN MOVIE DIRECTED BY DWIGHT H LITTLE (2010): A SOCIOLOGICAL APPROACH

32 A320080241 SEARCHING FOR IDENTITY OF ELIZABETH GILBERT IN RYAN MURPHY’S EAT PRAY LOVE MOVIE (2010): AN INDIVIDUAL PSYCHOLOGICAL APPROACH

33 A320080254 CONFLICT OF LOVE OF SUMMER LYNDON IN NORA ROBERTS’ TABLE FOR TWO NOVEL (2002): AN INDIVIDUAL PSYCHOLOGICAL APPROACH

34 A320080259 POST INDUSTRIAL ENGLAND IN OLIVER TWIST BY CHARLES DICKENS (1837): A SOSIOLOGY APPROACH

35 A320080109 AGAINST THE PATHRIARCHY IN THE WHOLED HOSSEINI’S A SPLENDID THOUSAND SUNS (2007): A FEMINIST APPROACH

36 A320080146 SAVING ALAGESIA IN ELDEST NOVEL 2005 BY CHRISTOPHER PAOLINI: AN INDIVIDUAL PSYCHOLOGICAL APPROACH

37 A320080113 POWER OF LOVE IN JEAN-MARK VELEE’S MOVIE THE YOUNG VICTORIA (2009) :A PSYCHOANALYTIC APPROACH

38 A320080248 FAITHFULLNESS IN DH. LAWRENCE’S THE ROCKING HORSE WINNER (1926): AN INDIVIDUAL PSYCHOLOGICAL APPROACH

39 A320080118 PERSISTENCE OF THE DASTNA’S PRINCE IN THE PRINCE OF THE PERSIA MOVIE (2010) BY MIKE NEWELL: A PSYCHOANALYTIC APPROACH

40 A320080287 BETWEEN THE KING AND THE FATHERLESS CHILD IN THE PRINCE OF THE PERSIA (2010) MOVIE DIRECTED BY MIKE NEWELL: A PSYCHOANALYTIC APPROACH

41 A320080031 PERSONALITY OF DASTAN IN PRINCE OF PERSIA: THE SAND OF THE TIME DIRECTED BY MIKE NEWELL (2010): A PSYCHOANALYTIC APPROACH

42 A320080141 DREAM OF EX-WIFE BEING CHASED BY HER FORMER HUSBAND IN BOUNTY HUNTER MOVIE DIRECTED BY ANDY TENNONT (2010): A FEMINIST APPROACH

43 A320080271 PERSEFERANCE OF LIFE IN UPTON SINLAIR’S THE JUNGLE NOVEL (2009): A SOCIOLOGICAL APPROACH

44 A 320080074 WOMAN EFFORT TO GET FREEDOM IN JEAN PAUL SOLOME’S FEMALE AGENT MOVIE (2010): A PSYCHOANALYTIC APPROACH

45 A320080081 EXPRESSION OF EMOTIONAL FLUCTUATIONAL OF FRANK MARTIN IN OLIVER MEGATON’S MOVIE TRANSPORTER 3 (2009): A PSYCHOANALYTIC APPROACH

46 A320080265 PRESEVERANCE OF MARIA MARRY WEATHER TO END HOSTILITY IN GABOR CSUPO’S THE SECRET OF MOONACRE MOVIE (2009): A PSYCHOANALYTIC APPROACH

47 A320080160 SELF-DISCOVERY IN RYAN MURPHY EAT PRAY LOVE’S MOVIE (2010): AN INDIVIDUAL PSYCHOLOGICAL APPROACH

48 A320080097 ABUSE OF POWER IN LORENZO DE BONAVENTURA’S R.E.D MOVIE (2010): AN INDIVIDUAL PSYCHOLOGICAL APPROACH

49 A320080123 HUMAN AMBITION IN MIKE NEWELL’S PRINCE OF PERSIA MOVIE (2010): A HUMANISTIC APPROACH

50 A320080268 OBESSION OF KATE COLEMAN TO UNLOAD ESHTER’S SECREAT IN JAUME COLLECT-SERRA’S ORPHAN MOVIE (2009): A PSYCHOANALITYC APPROACH